
Losing Isaiah
Khaila Richards, a crack-addicted single mother, accidentally leaves her baby in a dumpster while high and returns the next day in a panic to find he is missing. In reality, the baâŠ
ãã«ããŒãžãéãSearch with a natural-language prompt and jump straight into a full watch page.
Enter a title and get a fast verdict with stronger context.
Random Cinento paths for moods, title-based discovery, and fast watch decisions.
If you liked An Angel At My Table, this Cinento mix gives you more titles with a similar feeling, rhythm, tension, comfort level, and after-watch taste. Start with 16 picks, then load more when you want a wider path.


Khaila Richards, a crack-addicted single mother, accidentally leaves her baby in a dumpster while high and returns the next day in a panic to find he is missing. In reality, the baâŠ
ãã«ããŒãžãéã
2010幎8æ5æ¥ãããªã®ãµã³ãã»é±å±±ã§èœç€äºæ ãèµ·ãããåéã®å¥¥æ·±ãã«33人ã®åŸæ¥å¡ãéã蟌ããããŠããŸãã飿ã®åèã¯3æ¥åãããªãæåºæŽ»åãé£èªããäžãå°äž700ã¡ãŒãã«ã®é¿é£æã§ã¯ããªãªããªãŒããŒã«ãåŸæ¥å¡ãã¡ãå°ããã€é£æãåãåããªããææŽãåŸ ã¡ç¶ãããæ¬¡ç¬¬ã«çåãçµ¶æèŠãããŠããäžã§17æ¥ç®ã33人ã®çåãå€ã«ããæåºå¡ãã¡ã確èªãã倧åããªã«âŠ
ãã«ããŒãžãéã
In the 1970s, aimless teenager Greg Laurie searches for all the right things in all the wrong places until he meets Lonnie Frisbee, a charismatic hippie/street preacher. Together wâŠ
ãã«ããŒãžãéã
åå ããŒã¿ãŒã»ãŠã£ã¢ãŒãã6500kmãèžç Žããç·ãã¡ã®å®è©±ãæ ç»åã第2次倧æŠäžã極å¯ã®ã·ããªã¢ã®åŒ·å¶åŽåå容æããè±åºããããŒã©ã³ãå µã®ã€ãã·ã¥ãã¡ãåãŠã€ã森ããçŒç±ã®å€§å°ããè£ åããªããŸãŸã²ãããã«æ©ãç¶ããããšã«âŠâŠãâŠ
ãã«ããŒãžãéã
17æ³ã®ãã¢ã¯ãå°æ¥ãã§ãå¥è ã«ãªãããšã倢èŠã髿 ¡3幎çãæäººã¢ãã ãšä»²ã®ããå®¶æã«å±ãŸããããžã¥ãªã¢ãŒã鳿¥œé¢ããããç¹èšããæ¯æ¥ã ããããªåœŒå¥³ãããéªã®æãçªç¶ã®æ²åã襲ããäžå®¶ãä¹ã£ãè»ãã¹ãªããäºæ ã«éããäžç¬ã«ããŠå®¶æã倱ã£ãŠããŸã£ãã®ã ãç é¢ã®ãããã§æç¡ç¶æ ã§æšªãããèªåèªèº«ãèŠã€ãããã¢ãèäœããé¢ãéãšãªã£ããã¢ã«ã¯ããããã®åœŒå¥³ãåãå²âŠ
ãã«ããŒãžãéã
åé¡ãæ±ããåäŸã®ããã®ã°ã«ãŒãããŒã ãã·ã§ãŒãã¿ãŒã 12ãã§åãã°ã¬ã€ã¹ãã°ã¬ã€ã¹ã¯ãæ°å ¥ãã®ãžã§ã€ãã³ãšããå°å¥³ãæ åœããããšã«ãªããã°ã¬ã€ã¹ã¯æœèšã®ååã¡ã€ãœã³ãšä»ãåã£ãŠããããããæ¥ãåŠåš ããŠããããšã倿ããããããªäžãã°ã¬ã€ã¹ã¯ãžã§ã€ãã³ãç¶èŠªã«èåŸ ãããŠããããšã«æ°ä»ããâŠ
ãã«ããŒãžãéã
空ã¯éãã誰ããç¬é¡ã§ãåã©ããã¡ã®æ¥œãããªå£°ãèãããŠããããããŠãçªããèŠããå£ã®åããã§ã¯å€§ããªå»ºç©ããç ãããã£ãŠãããæã¯1945幎ãã¢ãŠã·ã¥ãããå容æã®é£ã§å¹žãã«æ®ããå®¶æããããâŠ
ãã«ããŒãžãéã
1950幎ãç¬¬äºæ¬¡äžç倧æŠã®çµçµã«ããæºå·åœã®åŽ©å£ãšåœå ±å æŠã®çµçµã«ãããå ±ç£äž»çŸ©åœã§ããäžè¯äººæ°å ±ååœã®äžéœåžãšãªã£ããã«ãã³é§ ã®æ§å ã5幎éã«ããããœããšãé£éŠã§ã®æçãè§£ãããäžè¯äººæ°å ±ååœã«ééããããæŠç¯ãéããã£ãè¿ãäžã§ãåããå€ãã1人ã®ç·ãæŽé¢æã§èªæ®ºã詊ã¿ããç·ã¯ç£èŠäººã®æã«ããäžåœãåãçãããã®ã®ãèãè¡ãæèã®äžã§å¹Œãæ¥ã ã®é ãæãâŠ
ãã«ããŒãžãéã
ã¢ããã³ãããŒç£ç£ã«ãããååçãã£ãŒãªãŒã»ãã£ãããªã³ã®ç涯ãæããäœåãæ ç»ã¯ããã£ãããªã³ã幌å°ã®é ãããåéã«ã«ããŒäžåº§ã®çæ¿ä¿³åªæä»£ããããŠããªãŠããã§ã®æ ç»è£œäœãå¯ãšå声ãåŸããããŠæ ç»ããã£ãããªã³ã®ç¬è£è ãã®è£œäœã«çºããåœå€è¿œæŸãçµæŠåŸã®ã¢ã¡ãªã«ãžã®åž°åœããçœé«ªã®ã¯ãããŸã§ã圌ã®äžçãå æã«è¿œã£ãŠè¡ããªããããã®äžã§ã®å€ç¬ãæ²ãã¿ãèŠãã¿ããâŠ
ãã«ããŒãžãéã
On the eve of the Second World War, two of the greatest minds of the twentieth century, C.S. Lewis and Sigmund Freud converge for their own personal battle over the existence of GoâŠ
ãã«ããŒãžãéã
åããŠæ ç»é€šã蚪ããŠä»¥æ¥ãæ ç»ã«å€¢äžã«ãªã£ãå°å¹ŽãµããŒã»ãã§ã€ãã«ãã³ã¯ãæ¯èŠªãã8ããªã«ã¡ã©ããã¬ãŒã³ãããããå®¶æã仲éãã¡ãšéããæ¥ã ã®ãªãã人çã®äžç¬äžç¬ãæ¢æ±ãã倢ãè¿œãæ±ããŠãããµããŒãæ¯èŠªã¯ãããªåœŒã®å€¢ãæ¯ããŠãããããç¶èŠªã¯ãã®å€¢ãåãªãè¶£å³ãšããèŠãªããªãããµããŒã¯ãããªäž¡èŠªã®éã§èè€ããªãããããŸããŸãªäººã ãšã®åºäŒããéããŠæé·ããŠãããâŠ
ãã«ããŒãžãéã
誰ããã倩æãšèªããããããåšå²ãšã®è¡çªãçµ¶ããªãã¹ãã£ãŒãã»ãžã§ããºïŒã¢ã·ã¥ãã³ã»ã«ããã£ãŒïŒãæ¢åã®çµç¹ã«æå±ããã®ã«åããŠããªããšæã£ã圌ã¯ãèªåã®ãããªå人ããšèªå® ã¬ã¬ãŒãžããªãã£ã¹ã«ããŠã¢ããã«ã³ã³ãã¥ãŒã¿ç€Ÿãèšç«ããã驿°çãªååãæ¬¡ã ãšæŸã£ãŠã¯ãããããããã£ã4å¹Žã§æ ªåŒã®äžå Žã«æåãITçã®å¯µå ïŒã¡ãããïŒãšãªããžã§ããºãããããæèŠã®çžéãâŠ
ãã«ããŒãžãéã
äœå®¶ãšãã»ãããã¥ãŒã®ãã¹ãã»ã©ãŒå°èª¬ãããªãŒã»ã©ãŒãœã³äž»æŒã§æ ç»åãç£çŠããã女æ§ãšãã®éšå±ã§çãŸãè²ã£ãæ¯åãå€çãžãšè±åºãããããå§ãŸãããŸããŸãªèè€ãèŠæ©ãæåãæãäžããŠãããâŠ
ãã«ããŒãžãéã
ã±ã€ã³å·ã®æ°èŠé·ã¯ã€ãŒã°ã¯ããã®ç°åžžãªè¡åããåŸã ã«ä¿¡æã倱ã£ãŠããããããŠå°é¢šã«ééããèŠé·ãæ£æ°ã倱ã£ããããå¯å®ããªã¯ãææ®ãåã屿©ãè±ãããããããåé眪ãšãããŠããŸããâŠ
ãã«ããŒãžãéã
ã¢ã¡ãªã«åšäœã®82æ³ã®ããªã¢ã»ã¢ã«ããã³ã¯ãã°ã¹ã¿ãã»ã¯ãªã ããæãã䌯æ¯ã®èåç»ã§ç¬¬2次äžç倧æŠäžããã¹ã«å¥ªãããåç»ãããªãŒã¹ããªã¢ã«ããããšãç¥ããåœŒå¥³ã¯æ°ç±³åŒè·å£«ã©ã³ãã£ã®å©ããåãããªãŒã¹ããªã¢æ¿åºã«çµµç»ã®è¿éãæ±ããŠèšŽèšãèµ·ãããæ³å»·éäºã®äžæ¹ãããªã¢ã¯èªèº«ã®åçãæ¯ãè¿ãâŠâŠãïŒããã¹ã«å¥ªãããäžççã«æåãªã°ã¹ã¿ãã»ã¯ãªã ãã®åç»ãåãæ»ããâŠ
ãã«ããŒãžãéã
Renowned film star Joan Crawford's abuse towards Christina, her adopted daughter, intensifies as her professional and romantic relationships turn sour.âŠ
ãã«ããŒãžãéã
A reporter, fired after refusing to give names to a 1951 House Un-American Activities Committee, takes a part-time job as companion to an old lady. While working she overhears a noâŠ
ãã«ããŒãžãéã
1989幎ããã¥ãŒãšãŒã¯ãå°èª¬å®¶ã®ãžã§ã€ã¯ã»ãã€ãŽã£ã¹ã¯ã劻ãšïŒæ³ã®äžäººåšã±ã€ãã£ãšå¹žããªæ¯æ¥ãéã£ãŠããããããããæ¥ãè»ã§äº€éäºæ ãèµ·ãããŠããŸããåä¹ããŠãã劻ãåœãèœãšããŠããŸããèªèº«ãåŸéºçã§é·æå ¥é¢ãäœåãªãããã劻ã®å§ãšãªã¶ãã¹ãšãã®å€«ãã±ã€ãã£ãé ããããšã«ãïŒãµæåŸãããããéé¢ãããžã§ã€ã¯ãã±ã€ãã£ãåŒãåãã«è¡ããšããšãªã¶ãã¹ããã±ã€ãâŠ
ãã«ããŒãžãéã
ã¢ã¡ãªã«ã®é ããã¯ã®è±éâ The Boss âãã«ãŒã¹ã»ã¹ããªã³ã°ã¹ãã£ãŒã³ããBorn in the U.S.A.ãã§äžçãæ¯ãåãåå€ã誰ã«ãé Œãããããã4ãã©ãã¯ã®é²é³æ©ã§å¹ã蟌ãã ã¢ã«ãã ãããã©ã¹ã«ããç¶ãšã®ç¢ºå·ããã®èŠæ©ãšåµé ã®æ ç±ãæããã鳿¥œæ ç»ã®æ ãè¶ ãã芳ãè ã®å¿ãéãããæåãã©ããâŠ
ãã«ããŒãžãéã
å èœããæ¥ã ãéãããŠãããã¬ã³ãã³ã¯ãæäººãåŠåš ããããšããã£ããã«æ£®ææ¶é²å£ãžå ¥éãå°çã®ãããªèšç·Žã®æ¯æ¥ãéãããªãããã仲éãšã®ä¿¡é Œãç¯ãã圌ãã®æ¯ãã®äžã§å°ããã€æé·ããŠãããããããããªåœŒããåŸ ã¡åããŠããã®ã¯ãå±±ãäžžããšé£²ã¿èŸŒããããªå·šå€§å±±ç«äºã ã£ãâãâŠ
ãã«ããŒãžãéã
Based on a true story. Liz Murray is a young girl who is taken care of by her loving, but drug-addicted parents. Liz becomes homeless at 15 and after a tragedy comes upon her, she âŠ
ãã«ããŒãžãéã
Summer 1939. Influential families in Nazi Germany have sent their daughters to a finishing school in an English seaside town to learn the language and be ambassadors for a future lâŠ
ãã«ããŒãžãéã
ããã³ã°ãªãŒããŒïŒããäžçã«ã²ãšã€ã®ãã¬ã€ããã¯ãã®ãã©ãããªãŒã»ã¯ãŒããŒäž»æŒã§ãå°çª®ã®æãŠã«çäœããŠããŸã£ã売ããªãå°èª¬å®¶ããæãã人ãšã®ç掻ãšäœå®¶ãšããŠã®æåã®çéã§èè€ããå§¿ãæãããã©ããäœå®¶ãšããŠãªããªãèœã®åºãªãããªãŒã¯ãããã§ãèªåãä¿¡ããŠæ¯ããŠããã劻ãã©ãšã®æ°å©æ è¡ã®æäžã骚è£åå±ã®å€ãã¢ã¿ãã·ã¥ã±ãŒã¹ã®äžã«äžæã®åçš¿ãèŠã€ãããããã«ã¯ãâŠ
ãã«ããŒãžãéã
1979幎11æ4æ¥ãããã©ã³ãã€ã©ã³é©åœãæ¿ãããåããããã®æãŠã«ã¢ã¡ãªã«å€§äœ¿é€šãéæ¿æŽŸã°ã«ãŒããå æ ãã52人ãã®äººè³ªãåããšããäºä»¶ãèµ·ããããããã¯ã®äžãã¢ã¡ãªã«äººïŒåã倧䜿通ããéãåºããŠã«ãã倧䜿ã®èªå® ã«æœäŒãæåºäœæŠã®ãšãã¹ããŒããšããŠåãã¯ããCIAãšãŒãžã§ã³ãã®ãããŒã»ã¡ã³ãã¹ã¯ãïŒåãéæ¿æŽŸãã¡ã«çºèŠãããæ®ºå®³ãããã®ãæéã®åé¡ã ãšå€âŠ
ãã«ããŒãžãéã
ææã®åŠ»ã«å ç«ãããŠ1é±éãæè¿ã¯èªç¥çãé²ã¿ãç©å¿ããæ¿ãããªã£ã90æ³ã®è人ãŒãŽã®ããšã«1éã®æçŽãå±ããããã¯ããã€ãŠåœŒãšåæ§ãã¢ãŠã·ã¥ãããã®ãŠãã€äººå容æã§ã®å°çãçãå»¶ã³ãæ§ç¥ã®å人ããã¯ã¹ããã®æçŽã§ã圌ãã®å®¶æã殺ããæãå ããã¹å µãå®ã¯æ£äœãåœã£ãŠçŸåšãçããŠããããšããããŠã4人ã«ãŸã§çµããããã®å®¹çè ã®ååãšå± å ŽæãæžãèšããããŒãŽã«ãâŠ
ãã«ããŒãžãéã
ã¡ãã·ã³ç³»ã¢ã¡ãªã«äººã§ãããšããèªèº«ã®çãç«ã¡ãããšã«ãããªãã¬ãŒã®è±¡åŸŽã§ãããã¬ãŒãã³ã°ãããããŒãã¹ã®èæ¡ã«ããé£åæ¥çã«æ¿éãèµ°ãããäžççãªãããã«ã«ãã£ãŒçŸè±¡ãå·»ãèµ·ããã¹ããã¯ãžãšé²åããããããªãã¬ãŒã®æž æå¡ãªãã£ãŒãã»ã¢ã³ã¿ãã§ã¹ã®æåã®ç©èªãâŠ
ãã«ããŒãžãéã
ããã¥ãŒãšãŒã¯ã»ãã¬ãžã³ãã§æŽ»èºãã人æ°ã³ã©ã ãã¹ãã®ãžã£ãããã¯ãæäººãšã®å©çŽã決ãŸããé 颚æºåžãªæ¥ã ãéã£ãŠãããããæ¥ããžã£ãããã¯è»éã«é£ã³åºããŠããããŒã ã¬ã¹ã®ç·æ§ã«ééãããããã¯ããªããšåœŒå¥³ã®ç¶ã»ã¬ãã¯ã¹ã ã£ããã¬ãã¯ã¹ã¯ããã€ãå®¶æã®ããã«ãã¬ã©ã¹ã®åãã建ãŠããšãã倢ãæã€ãšã³ãžãã¢ã劻ã®ããŒãºããªãŒã¯ã¢ãŒãã£ã¹ãã圌ãã¯å®è·ã«ã€ããçæ³ãâŠ
ãã«ããŒãžãéã
Orphaned in Africa as a child, Lilly escapes to England as a refugee, fleeing civil war in Ethiopia. Lost in this cold new world, Lilly embraces the immigrant community in London, âŠ
ãã«ããŒãžãéã
ã±ã€ãã³ã»ã³ã¿ãŒãã¯ãã¥ãŒãšãŒã¯ã«äœãåäœå®¶ãå¹³å¡ã ã£ãåœŒã®æ¥åžžã¯ãããæ¥ãå¢ã«å€ãã£ãŠããã é¡ãåã£ãŠç é¢ãžè¡ãã°ãåå äžæã®ç æ°ãšèšºæãããå®¶æããã¯ãèªåãæŒåºããèªä¿¡æºã ã®èå°ãããªãããã 倫婊仲ãäžæãããããéã«ã¯æãã劻ãšåšã«æšãŠãããŠããŸããæ°ããæäººãäœãããšããããåªæäžæã§éããããŠâŠã ãããªå€±æç¶ãã§ã人çã«å«æ°ããããŠãã圌ã®âŠ
ãã«ããŒãžãéã
In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.âŠ
ãã«ããŒãžãéã
Follows the life of Native Canadian Saul Indian Horse as he survives residential school and life amongst the racism of the 1970s. A talented hockey player, Saul must find his own pâŠ
ãã«ããŒãžãéã
ç¬¬äºæ¬¡äžç倧æŠäžã8æ³ã®å°å¹Žãã«ãŒãã¯ãããã¹å°æ ¡ã®ç¶ã®æ 転ã§ãã«ãªã³éå€ã«åŒã£è¶ãããšã«ãªããè£åºã®æ£®ã®å¥¥ãéæ¡ç¶²ã§èŠãããå Žæã蚪ãããã«ãŒããåºäŒã£ãã®ã¯ãçžæš¡æ§ã®ããžã£ããçãå°å¹Žã·ã¥ã ãšã«ã ã£ããäºäººã¯åæ ãè²ãããããæ¥ãã«ãŒãã¯ã·ã¥ã ãšã«ãè£åã£ãŠããŸãâŠâŠãïŒããã¹å°æ ¡ãç¶èŠªã«æã€ãã€ã人å°å¹ŽãšåŒ·å¶å容æå ã®ãŠãã€äººå°å¹Žãšã®åæ ãšåããéåœãâŠ
ãã«ããŒãžãéã
Inspired by a true story, âBeyond the Blackboardâ is about a 24-year-old first-time teacher who makes a difference in the lives of the homeless children she teaches in a shelterâs âŠ
ãã«ããŒãžãéã
ããã¯ã»ã·ã³ã¬ãŒã®æ¯ã¹ã¶ã³ããšçŸè¡åã®ç¶ããŒã«ãé¢å©ããïŒæ³ã®ã¡ã€ãžãŒã¯ããããã®å®¶ã10æ¥ããšã«è¡ãæ¥ããããšã«ããããªäžãç¶ã¯å ã ãããŒã·ãã¿ãŒã ã£ãããŒãŽãšåå©ãã¡ã€ãžãŒã«ãšã£ãŠãåªããããŒãŽã®ååšã¯å®ããããããããŠãããããããšãæ¯ã察æããããã«ããŒãã³ããŒã®ãªã³ã«ãŒã³ãšåå©ãæ Œå¥œè¯ããŠåªãããªã³ã«ãŒã³ã«ã¡ã€ãžãŒããŸãããã§ããªãæ§åããã€ããæ¬âŠ
ãã«ããŒãžãéã
Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leadâŠ
ãã«ããŒãžãéã
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.âŠ
ãã«ããŒãžãéã
9æ³ã®å€å ãªãªããŒã»ãã€ã¹ãïŒããŒããŒã»ã¯ã©ãŒã¯ïŒã¯ãæè²§é¢ã§åŽåã«åŸäºããŠããããå€é£ã®åžã§ãããããããæ±ããæè²§é¢ã远æŸãããŠããŸããâŠ
ãã«ããŒãžãéã
An Irish sports journalist becomes convinced that Lance Armstrong's performances during the Tour de France victories are fueled by banned substances. With this conviction, he startâŠ
ãã«ããŒãžãéã
After a disease kills 98% of America's children, the surviving 2% develop superpowers and are placed in internment camps. A 16-year-old girl escapes her camp and joins a group of oâŠ
ãã«ããŒãžãéã
ããŒããŒã¯ã»ã³ãã»ã¯ã©ãŠãºã®å€å é¢ã§çãŸãè²ã£ãã芪代ããã®ã©ãŒãé¢é·ã®ä»äºã§ããå©ç£ãšåœæã¯çŠæ¢ãããŠããå èã®ä»äºãæäŒã圌ã ãããããŠèªèº«ã®å°æ¥ã«äžå®ãæ±ãå§ãããããæ¥ãããŒããŒã¯æè¡ã«èšªããè¥ã女æ§ãã£ã³ãã£ãšãã®æäººã®è»äººãŠã©ãªãŒãšå ±ã«å€å é¢ãé£ã³åºããã圌ã¯ãŠã©ãªãŒã®èªãã§åœŒã®æ¯èŠªãªãªãŒãŽãçµå¶ãããªã³ãŽåã§åããå穫人ãã¡ã®å®¿èãµã€ããŒããŠã¹âŠ
ãã«ããŒãžãéãStart with the first row of picks and choose the title that matches your mood tonight. Use Load More when you want a wider path without leaving the same feeling zone.
Cinento looks at the feeling behind the search: tone, pacing, tension, comfort level, genre lane, and the kind of emotional aftertaste people usually want from this mix.
No. The title is a shortcut. You can use the mix even if you simply want the same mood, pressure, or story energy.
Yes. Open any title card and check the Stream / Rent / Buy section for official provider options when they are available in your region.